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Tragically, it suffered a power-supply failure and needs to be repaired. Korg DW-8000: Gloriously weird hybrid synthesizer (digital oscillators, analog filters.) Gorgeously dark and spacey digital delay/single-line chorus it turns even the simplest patches into a trip through the cosmos on the back of a witch's broom.Yamaha FB-01: Simple 4-operator FM module it's basically eight Sega Genesis voices in a half-rack.Yamaha RX15: Basic digital drum machine.What was the deal with people making weird, un-rackable desktop modules in the '90s? Yamaha TG33: The expanded module version of the SY22.
Needs the main audio outs fixed so I can sell it.
Dx7 patches nintendo plus#
Yamaha SY22: Cheesy but interesting "vector synthesis" - gritty, simplistic samples plus basic FM voices, with sequenced balance-control between those elements. Dx7 patches nintendo Patch#
Yamaha V50: Two TX81Zs stuffed into a keyboard with a better multimbral MIDI implementation, a basic sequencer, a cheapass drum machine, and some basic effects - and, thank God, more patch memory. 1 DX7, because as nice as the DX7-II is, you just need That Sound. Yamaha TX7: The module version of the Mk. It lacks a little bit of the magic, but offers some neat tricks of its own (the unison mode is incredible, even before you combine it with layered patches.) Yamaha DX7-IIFD: The more full-featured version of the One True Classic Digital Synthesizer. Plus, it's the de facto standard for listening to old shareware MIDIs spawned in the depths of some long-forgotten BBS. Roland SC-55k: Okay, the Sound Canvas line spawned that hideous GM.DLS soundfont, but in fairness, the actual hardware implementations are quite a bit nicer less awful okay-er. Roland MT-32: Okay, it's no D-50, but it's a charming little box with a lot of fun sounds and a reasonably capable engine, even if you're not a classic point-'n-click adventure-game junkie. I love the filter on it the resonance really engages with the sound in a way that a lot of Roland's later filters don't. Roland SH-09: For a teeny little single-oscillator budget synth, this thing is surprisingly beefy. The character of the sound is also very reminiscent of the D-50, despite one being analog and the other digital. Roland JX-10: Something about the sound on this one - no matter what you have it do, it comes out classy and well-mannered, like a fine grand piano. I'd sell a kidney sooner than get rid of it. Roland D-50: Gorgeous, inimitable early digital timbres and lush effects. Dx7 patches nintendo update#
Hah, I was wondering when this side of the community was going to rear its head again I should probably update my signature, it's quite a bit out-of-date. Kind of sucks not being able to use my JV-1080s :( Presently they're all in storage being moved I mainly got the TG-77 due to Allister Brimble (and possibly Paul Weir) owning one-because there are some very nice ROMpler patches in that thing, I wasn't really after the FM synthesis portion since I already have an FS1R. at least the controls on the JV are laid out nicely. I'd say it's easier to use the JV-1080's limited display. The TG-77 (or any of the TG series) don't seem to come up often, probably the first (and only) synthesizer I've owned which comes with a numpad-the interface is very odd and could have been built better.
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A lot of influential video game and movie sound tracks use these modules-to anyone who says they sound horrible, they have a very poor ear and don't know how to mix and master tracks very well. The JV-1080s still have sounds which can knock the socks off of anything made today, especially when fully expanded. I prefer the Jupiter-4 over the Jupiter-8 due to its unique sound and strange characteristics, its random arpeggio is to die for-I consider it like Roland's minimoog.
Roland Jupiter-4 (with io modification)Īnd I think that's all of them? Few anecdotes-I got an UltraProteus over a Morpheus due to the patches, Keith Zizza used it in Lords of Magic and I wanted some of the presents used in there. Roland JV-1080 (2x) (all fully expanded). Since everyone here also tends to have audio equipment in combination with a bunch of esoteric computer hardware (oh man, computers + synthesizers are an expensive hobby to simultaneously get in) I thought it would be fun to see who has what.
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